Geometría de la contemplación.

A living sculpture that inhabits stillness.
A living sculpture that opens the gaze to the sacred instant.
A sacred space where the gaze merges with geometry and nature.

The installation “Geometry of Contemplation” unfolds as a space for radical contemplation.
Rooted in the tradition of Buckminster Fuller, the geodesic dome shifts here from its original condition as a utopian model for global habitability toward a place to be and reconnect. The structure is understood not as a functional shelter, but as a perceptual instrument. A device for pause. Within it, productive logic is suspended, and what emerges is a state of openness toward the sky and the landscape.

The gradual colonization of the structure by four pink trumpet vines introduces an essential element: organic time.
In contrast to mathematical stability, the plants brings impermanence and fragility. “Geometry of Contemplation” is no longer only geometry, but a living process in which formal precision dissolves into the landscape. This tension between the calculated and the ephemeral activates an aesthetic experience of calm: contemplation not as a passive gesture, but as an active practice of allowing the rigid to become porous, the mind to merge with the universe. If Fuller envisioned structures capable of sustaining humanity in balance with the planet, here geometry yields to the opposite: the humanity disappearing into the planet earth, becoming a unique breath.

“Geometry of Contemplation” is an artistic laboratory born from the collaboration between Miguel Pérez-Beato, Erika G. Lee, Inma de la Madrid and Daniel Schäfer